讀后感 社戲讀后感600字初二
更新時(shí)間：2024-05-23 21:32:39作者：貝語網(wǎng)校
讀后感 社戲讀后感600字初二讀后感,Reaction to a book
以下是翻譯的英文版本內(nèi)容：
Social drama after reading the first two article 1
Lu Xun said at the beginning of "Social drama" that he had "only seen two Chinese dramas in the last twenty years", and that there were also "the disaster of the sound of a bell", but at the age of eleven or twelve, "far away", he had seen such a good play.
"Chinese opera is banging, Shouting, and jumping, which makes viewers dizzy and dizzy, which is not suitable for theater, but if it is a loose place in the field, it looks like it has its own style from a distance."
From this point of view, it is no wonder that the plays I see in my old age make me feel "unfit to live".
There are not many people in the theater watching the play, "there are many heads under the stage", "I" therefore want to squeeze past to sit, but some people talk about "me", this play is to "occupy the seat". The bench was also the instrument of the torture that made my blood run cold. Beijing Opera, the space is small, crowded, noisy, surrounded by walls.
The second time to see the play is also "Dong Dong sound of the bell" "red and green swaying", or the need to understand the upper class can see the play, "he looked down at me and said: 'Gong Yunfu! There was contempt and pride among them, and the play was no longer simply played for the pleasure of the audience.
When the "I" in order to see the play twists and turns, to see the play is a white-covered boat, people are only sparse standing, there are fishing fires, is "I" suspect that the fairyland seen on the painting, but also "no longer see the night like the good play."
Pingqiao Village is a small village near the river, there is no restriction, no hierarchical division, the space is open, the site is in the natural village, there is no imprisonment, only simple beauty. The villagers are simple, the arhat beans are shared, and the play is also shared.
Play is the play of the public, is the nature of heaven and earth, full of folk customs.
On the contrary, Lu Xun saw after the strange play, is complicated and narrow, ugly and hypocritical. This "Social drama" is also his criticism of reality and yearning for equality and freedom.
"Social Drama" is not about the play itself, but the comparison of two social conditions and the attack on the hypocrisy of human nature.
The play has never changed, but human nature is often not as good as the play in general, the article is hoping that justice and kindness has been leading the society.
Social drama after reading the first two 2
When I first read this article, I was attracted by the title: What is social drama? I don't know anything about it, but it's vaguely interesting and rustic.
The beginning introduces the background of the story: "I" live in Pingqiao village with my mother. Pingqiao Village is "my" happy land, where there are small friends, there are a lot of fun to do.
Then write the twists and turns before the social drama, which makes the whole article no longer plain.
When there was no ship to take "us" to Zhaozhuang, I was a little worried about them. "I" but look forward to and look forward to, missed what a pity. "I" is very eager to go, and even imagine the scene when my partners watch the play, which can be described as a longing. At this time, the emergence of a key figure, so that things took a turn, that is, double happiness, he came up with the idea, so that "I" to see the social drama. I like the character of Double Xi very much, like his wit and ideas; Like his pure, frank. When picking the monk beans also reflects his thoughtful, he will think of others.
Pingqiao village 61 father-in-law is a simple, lovely old man, he is not angry for "stealing beans", mainly blame us for a lot of broken, I heard that is to entertain "I", full mouth "that should be". When I read it, I felt warm in my heart. They were like family.
The article did not focus on the social drama itself, but on what was seen, heard and felt when going to and returning from the boat. Originally, the scenery along the countryside can also be so beautiful, the moonlight is hazy, the two sides of the mountains, the boat like a big white fish jump in the water, you can imagine a group of children on the boat is how happy, free.
At the end of the article, the author wrote: "But I ate beans, but not as good as last night's beans." Why is this? "Until now, I have never eaten such good beans as that night -- nor have I ever seen such good things as that night." And why is that? The beans are still the same, but the person cooking is different, the process of eating is different. The atmosphere of watching the play and eating beans with my friends that night can't be compared elsewhere, let alone now.
Now "I" is big, perhaps my childhood friends have left Pingqiao Village, it is difficult to meet again, only the memories of childhood, but also deeply engraved in my mind, no matter when I think of it will be pleased to smile.
"Social drama" is not only written about social drama, more is to express the memory of that place and that night. "Want to buy osmanthus with the load of wine, the end is not like, young tour."
以下是帶重點(diǎn)詞匯的原文內(nèi)容：
社會(huì)劇后讀前兩篇文章1
魯迅在《社會(huì)劇》的開頭說，他“近二十年只看過兩部中國劇”，也有“鐘聲r(shí)ing； toll； bell tone；之災(zāi)”，但在十一二歲的時(shí)候，“遙遠(yuǎn)的地方”，他看到了這樣一部好戲。
“中國戲曲是砰砰作響、大喊大叫、蹦蹦跳跳的，讓觀眾頭暈?zāi)垦＃贿m合劇場，但如果是場地里的一個(gè)松散的地方，遠(yuǎn)遠(yuǎn)afar； far and away；看就有了自己的風(fēng)格。”
從這個(gè)角度來看，難怪我在晚年看到的戲劇讓我感到“不適合生活”。
劇場里看戲的人并不多，“臺(tái)下offstage；人頭多”，“我”因此想擠過去坐，但有些人卻說“我”，這出戲是為了“占座位”。這條長凳也是折磨我的工具，讓我毛骨悚然。京劇，空間小，擁擠，嘈雜，四面環(huán)墻。
第二次看戲也是《咚咚咚的鐘聲r(shí)ing； toll； bell tone；》《紅綠搖曳》，還是需要懂的上層階級(jí)才能看戲，“他低頭看著我說:‘龔云夫!他們之間充滿了輕蔑和驕傲，這出戲不再no longer； no more；僅僅是為了取悅觀眾而演的。
當(dāng)“我”為了看戲而曲折時(shí)，看到的是一艘白茫茫a vast expanse of whiteness； in endless whiteness (snow, cloud, fog)；的船，人們只有稀疏的站著，還有漁火lights on fishing boats；，是“我”懷疑看到了仙境上的畫，也“再也看不出夜景一樣的好戲了”。
平橋村是一個(gè)靠河的小村莊，沒有限制，沒有等級(jí)劃分，空間是開放的，場地在自然村中，沒有禁錮，只有樸素的美。村民樸素，羅漢豆共享，戲也共享。
戲是大眾的戲，是天地的自然，充滿了民俗風(fēng)情。
相反，魯迅看到后的怪戲，是復(fù)雜而狹隘的，丑陋而虛偽的。這部“社會(huì)劇”也是他對(duì)現(xiàn)實(shí)的批判和對(duì)平等自由的向往。
“社會(huì)劇”不是戲劇本身，而是對(duì)兩種社會(huì)狀況的比較，對(duì)人性虛偽的抨擊。
戲從來沒有變過，只是人性往往不如戲一般，文章希望正義和善良一直引領(lǐng)著社會(huì)。
社會(huì)劇后讀前兩部2
當(dāng)我第一次讀到這篇文章時(shí)，我被標(biāo)題所吸引:什么是社會(huì)戲劇?我對(duì)它一無所知，但它有點(diǎn)有趣和質(zhì)樸。
開頭介紹了故事的背景:“我”和媽媽住在平橋村。平橋村是“我”的樂土，那里有小朋友，有很多好玩的事情可以做。
然后再寫社會(huì)大戲之前的波折，讓整篇文章不再no longer； no more；平淡。
當(dāng)沒有船載“我們”去趙莊的時(shí)候，我有點(diǎn)擔(dān)心他們。“我”不過是期待和期待，錯(cuò)過了多可惜。“我”很想去，甚至想象同伴看戲時(shí)的情景，可謂是一種向往。這時(shí)，出現(xiàn)了一個(gè)關(guān)鍵人物，讓事情發(fā)生了轉(zhuǎn)折，也就是雙喜double happiness；臨門，他想出了這個(gè)主意，讓《我》去看社會(huì)劇。我很喜歡雙喜double happiness；這個(gè)角色，喜歡他的機(jī)智和想法;喜歡他的純潔、坦率。在采摘的時(shí)候和尚的豆子beans； pulse；也體現(xiàn)了他的體貼，他會(huì)為別人著想。
平橋村61號(hào)公公是一位[計(jì)] single bit；憨厚、可愛的老人，他并不為“偷豆”生氣，主要怪我們摔碎了好多，聽說是招待“我”，滿嘴“那該是”。當(dāng)我讀到它的時(shí)候，我的心里感到溫暖。他們就像家人一樣。
這篇文章并沒有關(guān)注社會(huì)戲劇本身，而是關(guān)注在去船和從船上回來時(shí)所看到的、聽到的和感受到的。原來，沿著鄉(xiāng)村的風(fēng)景也可以這么美，月光朦朧，山的兩邊，小船像一條白色的大魚在水中跳躍，你可以想象一群孩子在船上是多么的快樂，自由。
在文章的最后，作者寫道:“但我吃了豆子beans； pulse；，但沒有昨晚的豆子beans； pulse；好吃。”為什么會(huì)這樣?“到現(xiàn)在為止，我從來沒有吃過像那天晚上那樣好的豆子beans； pulse；，也從來沒有見過像那天晚上那樣好的東西。”為什么呢?豆子beans； pulse；還是一樣的，只是煮的人不一樣，吃的過程也不一樣。那天晚上和朋友們一起看戲、吃豆子beans； pulse；的氣氛是其他地方無法比擬的，更不用說現(xiàn)在了。
現(xiàn)在的“我”大了，也許兒時(shí)的小伙伴們都離開了平橋村，很難hard； very difficult；再見面了，只有童年的回憶，也深深地刻在了我的腦海里，無論何時(shí)想起它都會(huì)高興地微笑。
《社交劇》不僅僅是寫社交劇，更多的是闡發(fā)